The intimate format encouraged guests to spend time with the paintings while returning to the shared table for conversation, creating a relaxed and community-focused atmosphere.
“There is a difference between attending an exhibition and inhabiting it,” Danny noted. “Between passing through and lingering. Between seeing and noticing. What’s being invited here tonight is simply a little more noticing.”
The remarks echoed Hester Berry’s paintings, which are rooted in close observation of the rural environments she knows best, capturing the moments when shifting light changes the character of a landscape. Working in oils, Berry distils fields, mountains and open skies into economical compositions that focus on atmosphere and tone. For Berry, faithfully capturing light is the primary focus of her work.
“It’s the light that is the beautiful thing in it,” she says. “Light can fall on anything and make it gorgeous. Light is what you see first when you’re bleary eyed in the morning. It’s warmth and it’s life. It’s a primal thing that everyone has access to.”